musikverein
0
Scroll to top
From the archive
The most famous hole in music history can be found in Beethoven's Third Symphony score in E flat major op. 55, the Eroica. This score is one of the most prominent objects in the archives of the Gesellschaft der Musikfreunde. Yet it is not even an autograph.

Beethoven’s Eroica

Dieses Bild zeigt eine Illustration eines nackten Mannes mit einer Trompete von Arhur Paunzen
©Archiv Gesellschaft der Musikfreunde Wien

But first things first: Ludwig van Beethoven made his first sketches in 1802 and composed his third symphony in 1803. He probably worked intensively on it, especially in the summer when he stayed in Döbling (today, the XIXth district of Vienna). The work was perhaps primarily completed by the end of the year.

As his pupil Ferdinand Ries noted in a letter in the fall of 1803, Beethoven planned to call the symphony “Bonaparte”. – Beethoven was undoubtedly a sympathizer of the Enlightenment and the French Revolution. When the news reached Vienna in May 1804 that Napoleon had proclaimed himself emperor, Beethoven was so disappointed and angry that he scraped the words “intitolata Bonaparte” (titled Bonaparte) off the title page with a razor. – At the time this method of erasing mistakes was a common practice, which entailed the careful scraping of the ink from the tick paper with a razor. The page was usually only superficially damaged. However, the enraged Beethoven wielded the knife with such force that he created a hole on the title page.

Dieses Bild zeigt eine Illustration von Beethoven
©Archiv Gesellschaft der Musikfreunde Wien

The symphony score was in Mozart’s estate, which his widow administered. In 1799, she sold the symphony with a large bundle of autographs to Johann Anton André, a publisher in Offenbach/Rhine. André tried to sell the autographs in 1841 but was unsuccessful.

Change of scene. In 1864, Johannes Brahms and Clara Schumann performed Brahms’ Piano Quintet op. 34 in a version for two pianos for Princess Anna of Hesse. Brahms also dedicated the arrangement to the princess. – In return Anna von Hessen wanted to express her gratitude to Brahms with a gift. Clara Schumann, who knew of Brahms’ interest and passion for collecting, is said to have remembered that the Mozart autographs were for sale and advised the princess to do so. Anna von Hessen acquired the symphony and presented it to Johannes Brahms as a gift. The autograph was subsequently bequeathed to the Gesellschaft der Musikfreunde by Brahms.

Dieses Bild zeigt alte Noten von Beethoven
©Archiv Gesellschaft der Musikfreunde Wien

Brahms was a passionate collector. His music library consists of hundreds of volumes, including a complete edition of Johann Sebastian Bach’s works, rare manuscripts of Domenico Scarlatti’s piano sonatas, and several unique music autographs. Mozart’s autograph shows that Brahms wanted to own the music and studied it in detail. In the score, which is very neatly executed, Mozart makes a small scribal error: a single note was written down incorrectly. Brahms corrected this error by crossing it out in pencil.

Ausschnitt einer Landkarte von Wien, in der der Wiener Musikverein markiert ist.
Identity Lab

Choose your cookie settings:

Cookies sind kleine Textdateien, die von Websites auf Ihrem Gerät gespeichert werden. Sie enthalten Informationen über Ihr Surfverhalten, z. B. Login-Daten, Spracheinstellungen oder Warenkörbe. Cookies helfen dabei, Webseiten nutzerfreundlicher zu machen und personalisierte Inhalte oder Werbung anzuzeigen. Sie können in Ihrem Browser verwalten, welche Cookies gespeichert werden dürfen.