musikverein
0
Scroll to top
History
The 40th Symphony in G minor, K. 550, is arguably Wolfgang Amadeus Mozart's most popular work. The composer's original score is now housed in the archives of the Society of Friends of Music, and it has a very special history.

Mozart's Symphony No. 40

Radierung von Wolfgang Amadeus Mozart
©Archiv Gesellschaft der Musikfreunde Wien

Mozart composed his last three symphonies, K. 543, 550 and 551, within a few weeks in the summer of 1788. Based on the dated entries in his catalogue of works, it can be assumed that Mozart probably only needed a month to compose the G minor symphony. Even if sketches or other preparatory work may already have existed, this is an impressive achievement. It is also remarkable how quickly the work was composed given the absence of any reason for haste or any evidence to suggest that the piece was commissioned.

It is also unclear when the premiere took place, presumably at a private concert by the music lover and librarian Gottfried van Swieten in the composer’s presence. In any case, there is evidence of the performance at two academies – as the public concerts were called at the time – of the Tonkünstler-Societät in April 1791. The Tonkünstler-Societät was a kind of pension association intended to raise money for widows and orphans of musicians. Incidentally, the two concerts were conducted by Antonio Salieri, who later became closely associated with the Gesellschaft der Musikfreunde.

Noten von Wolfgang Amadeus Mozart
©Archiv Gesellschaft der Musikfreunde Wien

The symphony score was in Mozart’s estate, which his widow administered. In 1799, she sold the symphony with a large bundle of autographs to Johann Anton André, a publisher in Offenbach/Rhine. André tried to sell the autographs in 1841 but was unsuccessful.

Change of scene. In 1864, Johannes Brahms and Clara Schumann performed Brahms’ Piano Quintet op. 34 in a version for two pianos for Princess Anna of Hesse. Brahms also dedicated the arrangement to the princess. – In return Anna von Hessen wanted to express her gratitude to Brahms with a gift. Clara Schumann, who knew of Brahms’ interest and passion for collecting, is said to have remembered that the Mozart autographs were for sale and advised the princess to do so. Anna von Hessen acquired the symphony and presented it to Johannes Brahms as a gift. The autograph was subsequently bequeathed to the Gesellschaft der Musikfreunde by Brahms.

Portrait von Johannes Brahms
©Archiv Gesellschaft der Musikfreunde Wien

Brahms was a passionate collector. His music library consists of hundreds of volumes, including a complete edition of Johann Sebastian Bach’s works, rare manuscripts of Domenico Scarlatti’s piano sonatas, and several unique music autographs. Mozart’s autograph shows that Brahms wanted to own the music and studied it in detail. In the score, which is very neatly executed, Mozart makes a small scribal error: a single note was written down incorrectly. Brahms corrected this error by crossing it out in pencil.

Ausschnitt einer Landkarte von Wien, in der der Wiener Musikverein markiert ist.
Identity Lab

Choose your cookie settings:

Cookies sind kleine Textdateien, die von Websites auf Ihrem Gerät gespeichert werden. Sie enthalten Informationen über Ihr Surfverhalten, z. B. Login-Daten, Spracheinstellungen oder Warenkörbe. Cookies helfen dabei, Webseiten nutzerfreundlicher zu machen und personalisierte Inhalte oder Werbung anzuzeigen. Sie können in Ihrem Browser verwalten, welche Cookies gespeichert werden dürfen.