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From the archive
The picture and graphics collection of the Gesellschaft der Musikfreunde in Wien consist of more than 50.000 graphics, paintings, photos, busts and medals.

Picture and graphics collection

Dieses Bild zeigt eien alte Fotografie von Leonard Bernstein - fotografiert von Peter Schramek in Wien
©Archiv Gesellschaft der Musikfreunde Wien

The collection of paintings created by Joseph Sonnleithner (1766-1835) is at the heart of the archive. It originally consisted of 55 paintings, was purchased in 1830 for the then-new Musikverein building on Tuchlauben and underwent continuous expansion until around 1900. Today, it contains 73 oil paintings. Among them are the most famous portraits of Johann Joseph Fux, Christoph Willibald Gluck, Antonio Salieri, Johann Georg Albrechtsberger and many others. Of particular interest is the painting of Franz Schubert without glasses as well as the most renowned portrait of Wolfgang Amadeus Mozart is by the painter Barbara Krafft, which is considered as the most authentic depiction of the composer.

What is remarkable about this collection is that not only are the most famous composers immortalised, but there are also a number of portraits of composers who are largely forgotten today, such as Abbé Maximilian Stadler, Joseph Eybler and Adalbert Gyrowetz. This is often the only surviving painting of the depicted personality.

A large number of painters can be traced in the collection. Among the best-known artists are Joseph Kupelwieser and Willibrord Joseph Mähler.

Dieses Bild zeigt eine Fotografie von Josephine Land Koestlin und ihren sechs Kindern
©Archiv Gesellschaft der Musikfreunde Wien

The Gesellschaft der Musikfreunde’s collections contain numerous other paintings by renowned composers and artists. For instance, Bernardo Strozzi’s painting of Claudio Monteverdi is worth mentioning. A second copy can be found in Innsbruck.

Dieses Bild zeigt ein Portrait eines Künstlers aus dem Archiv der Wiener Musikfreunde
©Archiv Gesellschaft der Musikfreunde Wien

Brahms was a passionate collector. His music library consists of hundreds of volumes, including a complete edition of Johann Sebastian Bach’s works, rare manuscripts of Domenico Scarlatti’s piano sonatas, and several unique music autographs. Mozart’s autograph shows that Brahms wanted to own the music and studied it in detail. In the score, which is very neatly executed, Mozart makes a small scribal error: a single note was written down incorrectly. Brahms corrected this error by crossing it out in pencil.

Dieses Bild zeigt eine alte Fotografie von Joahnnes Brahms und Alice Barbi
©Archiv Gesellschaft der Musikfreunde Wien
Ausschnitt einer Landkarte von Wien, in der der Wiener Musikverein markiert ist.
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